tag:blogger.com,1999:blog-26803842.post6885733534465788541..comments2023-09-12T10:28:00.525-04:00Comments on mincetapes: hot like neon fucking neonK. Ross Hoffmanhttp://www.blogger.com/profile/07153047422374716535noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-26803842.post-73183718636070707592008-04-20T23:57:00.000-04:002008-04-20T23:57:00.000-04:00jeez, dude. that's great if you disagree with me,...jeez, dude. that's great if you disagree with me, but could you say something substantive so i at least know where you're coming from? <BR/><BR/>where am i off the mark? sure, i'm making a lot of (speculative) generalizations about vague and varied terrain, which is inevitably going to be somewhat limited/limiting. but in what sense am i isolated?<BR/><BR/>as i said, i'm definitely <I>not</I> interested in drawing boundaries and forcing music into abstractly defined categories - far from it - but i do feel that there are some common elements resonating throughout this body of music i'm discussing which are worth teasing out.<BR/><BR/>and please, if you're going to post borderline abusive comments, don't do it anonymously.<BR/><BR/>i'm eager to hear what you have to say.K. Ross Hoffmanhttps://www.blogger.com/profile/07153047422374716535noreply@blogger.comtag:blogger.com,1999:blog-26803842.post-32653889340766299352008-04-20T21:34:00.000-04:002008-04-20T21:34:00.000-04:00this is so off the mark and obviously coming from ...this is so off the mark and obviously coming from a pretty isolated place. that, plus the bizarre need to delineate and classify everything is offputting to say the least.Anonymousnoreply@blogger.com